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Discover LeadhubSince 2004 active in gallery management and the contact person for artists as well as for collectors and art enthusiasts in the area of concrete, constructive and geometric art.
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From our curatorial practice at the Galerie La Ligne, it repeatedly becomes clear: the clearer the form and context, the easier people access geometric abstraction. This applies whether someone comes from art education, collecting or simply curiosity. It is this openness that makes the direction so compatible.
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Active throughout Switzerland
At Galerie La Ligne, this term usually appears first in conversation at the moment a visitor stands in front of the work. That is often where the label starts to matter, because it changes how people read the image. The surprise is that the question is less about whether the work is abstract, and more about *which* kind of abstraction it belongs to.